My practice spans printmaking, interactive sculpture, and illustration, with a focus on the transformative potential of visual storytelling. I am interested in how images communicate across time, how forms shift through translation, and how materials can be used to bridge the gap between the tactile and the conceptual. Each project begins with a curiosity—about a symbol, a structure, or a narrative thread—and unfolds through a process of layering, distortion, and reinterpretation.

I view my studio as a space of ongoing experimentation—where visual language is not fixed, but fluid; where ideas are not illustrated, but discovered through the act of making. Across media, I am drawn to processes that reveal transformation, impermanence, and reinterpretation. Through these shifting forms, I aim to create work that is immersive, layered, and open-ended, inviting viewers into a dialogue that unfolds slowly over time.

Artist Statement